The first of only three games to appear in this list and also feature in one of the other two, INSIDE was ranked Xbox's sixth best title. And the Switch itself has performed brilliantly both critically and commercially, bringing a new generation of games and gamers to life.īut what are the top 10 Nintendo Switch games? We look to Metacritic to find out.
Michael Jackson assigned the project's management duties to long-time friend and collaborator Brad Buxer.Nintendo have always been somewhat separate from Xbox and PlayStation â where these two always sought to beat each other, Nintendo was more than comfortable in its own lane. Initially, the game's soundtrack was composed by Sega's in-house composers. However, sometime in 1993 - relatively late in the development process - the company was reportedly approached by pop sensation Michael Jackson and his personal sound team with an offer to compose the game's soundtrack. Jackson had a history with Sega (most notably producing Michael Jackson's Moonwalker early in the Mega Drive's lifespan) and had visited Sega's offices in Japan some months prior. As Jackson was both an avid video gamer and a fan of Sonic the Hedgehog, Sega accepted immediately.
Jackson astoundingly charged no cost for his work on the project, refusing Hisashi Suzuki's offers of reimbursement and only requesting that Sega instead donate the money to charity. Accordingly, a number of the company's upper management, including Sega of America president Tom Kalinske, recall that Jackson signed no official contracts for his work on Sonic the Hedgehog 3.
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Sega's in-house Sega Sound Team was flown to a Los Angeles, California hotel with their computers and equipment to produce the soundtrack with Jackson, a process which consisted of working with the artist to create demo tracks with professional instruments during the day, and then translating that music to FM synthesis for playback on the Mega Drive during the night. Jackson and his team would then listen to the results and provide feedback, with the artist delegating his team's management to Brad Buxer, one of Jackson's closest professional collaborators and a trusted friend. Both Jackson and Buxer assumed they could complete the soundtrack in about a week, but problems acquiring a satisfactory sound from the new compositions, as well as ideological differences with Sega Sound Team and issues with sample memory size, resulted in the team remaining in Los Angeles two weeks longer than expected. Jackson was reportedly disappointed in the sound quality of the freshly-translated compositions and told Brad Buxer that his work could never be released like this. In response, Sega Sound Team's translator Hisaki Nimiya countered that millions of Jackson's fans listen to his work on low-quality speakers such as radios, and the group endeavored to produce the best quality they could from such a unique collaboration. Jackson and his sound team produced a number of original compositions for the project (along with recycling some of their past compositions, such as Buxer's arrangement of his unreleased New Wave single "Hard Times" as the theme for Ice Cap Zone).
After the music was complete, Sega Sound Team flew back to Japan to finalize the soundtrack's development. Early that September, Jackson (who was in Japan for a concert at the Fukuoka Dome) met with Sega for final approval on his team's contributions. However, the artist was still displeased with the quality of his original music, and worked with the Team to make a number of last-minute changes - including the removal and replacement of certain tracks entirely. Jackson then officially approved of the soundtrack, and even personally invited Nimiya and Sega Sound Team to his Fukuoka Dome concert. While numerous developer statements detail that Jackson wanted his music removed from the final product, other statements claim Jackson did allow the use of his music in the released soundtrack, but chose to go uncredited. Regardless of their source, allusions to the artist's musical style were incorporated into several songs. Much of the game’s new jack swing themes can be attributed to the influence of Jackson and his team, and Carnival Night Zone's theme even directly samples the 1991 Jackson song Jam. The soundtrack also features motifs commonly associated with the artist, such as rhythms being punctuated with the occasional “woo!”.
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